Here’s something I’m ashamed to admit: when I moved to Australia several years ago, I’d never read an Australian author. It wasn’t a purposeful omission. I grew up in small-town Canada, reading mostly Americans and Brits.
It wasn’t the move across the Pacific that changed my habits; it was my decision to pursue writing seriously. I assumed the quality of my writing was the only relevant factor in getting published. It wasn’t, of course, and I learned that at an event at Writing NSW. I’d thought my attendance would be a one-time only commitment: I’ll just spend a day learning about the publishing industry, then go home and get my book published.
I did learn a few industry tips that day but, more importantly, I was introduced to a cornucopia of local writers. This was my first awareness of what Walter Mason referred to as the ‘writing ecosphere’ in his article, ‘How to Be a Literary Citizen’. Mason suggests ways to be a better literary citizen and support the writing community: buy new books — from local bookshops — and read them, subscribe to literary magazines, attend author events, be a fan and campaigner, and embrace generosity.
By the time Mason’s article appeared in Newswrite, I’d at least started reading local authors. But his suggestions made me realise there was much more I could be doing, and maybe it would help me towards getting published, as it did for Mason. I decided to dedicate a year to following his advice: in effect, I’d give this ‘supporting others’ thing a try to see if it would pay off for me.
A lot of Mason’s advice is straightforward and simple. I immediately subscribed to a few literary magazines I’d been reading online. Having their issues show up in my home as physical objects with heft and texture made their contents more memorable (especially compared to the endless blur of online reading). I got a better sense of what I might pitch to each and even did so successfully.
I scrutinised my reading and shopping habits. On the list where I track my ‘books read’, year by year, I began to highlight the Australian authors in yellow. Over the last year, almost every entry has been as close in shade to golden wattle as Microsoft provides.
Now I specifically buy Australian authors. To increase the number of local books I could purchase, I started giving my favourite local authors’ books as gifts. Not sometimes, but for most gifts I give.
When I mailed my sister an autographed copy of Zoë Norton Lodge’s Almost Sincerely, she wrote to say, ‘I adore that you had the author sign it for me. Even if I don’t like it, that makes it a definite keeper!’ She’d never had a signed copy before — maybe lots of people haven’t.
Attending a lot of author events, usually one a week, has taught me what works for me. Let’s be honest: I’m shy and am pretty sure people can see the word ‘awkward’ tattooed on my face. I feel more encouraged at smaller author events, where there’s a better sense of community than at larger festivals.
At library talks and bookshop readings there’s much more opportunity to interact with authors. I’ve made some of my best connections this way, including Walter Mason himself, who I first met at a book launch. But I’ve also been able to meet other attendees who are inspired by the same authors, and even ended up in my current writers’ group due to a connection I made at a writing event.
Mason describes the schedule of help and promotion he keeps, his Spreadsheet of Loving Kindness. I decided to try it for myself. There’s a reason it’s a spreadsheet, I discovered. It takes some organisation to pull off. It wasn’t an organic process, but a plotted one. I compiled a list of people I knew who were doing great things and started going through it person by person.
This was time-consuming. I often left it to the weekend, then scheduled a series of posts for the week. This did get me some social media engagement, and it was a great way to keep on top of all the interesting things my favourite people were doing. But scheduling my posts risked making them routine and predictable. Organisation stripped the spontaneity.
Another of Mason’s key points is to embrace generosity, to ‘be the fan you wish you had’. So, instead of giving up when things get challenging, I need to experiment with ways to bring more spontaneity and fun into my efforts.
At the heart of Mason’s article was the idea that if you’re aiming to get published, your efforts to support the writing ecosphere might end up helping you, as they did for Mason himself — and as they eventually did for me. But beyond getting published, everything else else I’ve gained is even more important to me.
I’ve discovered a community of people I connect with, made wonderful friends, learned a lot and felt inspired. My passion ended up leading me to a job that I love. And I feel more at home in the world and confident in myself. In writing this, there was no other way it could turn out than as a love letter to the Australian writing community.
A version of this article was first published in Newswrite back in 2016, before the chronic fatigue hit. Since then, it’s been hard to get to writing events; evenings are difficult, and my energy can be erratic. I’ve missed so many book launches and author talks. But I’m trying to find ways to become more involved in the community again.
Along with author Amanda Ortlepp, I’ve running a monthly writing meet-up. It’s free, you just need to be a member of Writing NSW. You can rsvp for upcoming dates via my events page. If you’re a Sydney-based writer, it’d be great to meet you there. Otherwise, find me online and say hi!
PS. Walter Mason is doing a talk at the Theosophical Society on 20 November. Check it out!
Actually that’s a few different kits. There were many treatments for snakebite in 19th-century Australia, the museum signage explains, including ‘incision, amputation, and a variety of “antidotes” (including mercury and medicinal brandy)’ as well as one man’s ‘use of intravenous ammonia’. (He thought snakebite poisoning was a result of germs, so I suppose his theory was that pumping ammonia into your blood would … kill the germs?)
