If the police ever had a search warrant to seize my computer, I imagine they’d be very excited when they opened it up. How often do suspected criminals have folders all over their desktop labelled REVENGE?
But they’d be disappointed when they opened the files and discovered I’m not actually plotting revenge against anyone. At least not yet. (If I were, I’d label those files VEGAN SOUP RECIPES. The police will never find them.)
What the police would find in my files is the fabulous cover of My Name Is Revenge, which is being released in print by Spineless Wonders this April.
The cover features Mt Ararat in the background, a national symbol of Armenia. In the foreground are gum leaves and the foliage of the Australian bush, drawing on the connections made within the book, particularly the novella.
The print edition includes two additional essays considering different aspects of the Armenian genocide, as well as a collection of photos from my travels through Armenia.
The ebook, which came out in October, has been receiving great reviews. I was delighted by this review from history professor and author Peter Stanley, co-author of Armenia, Australia and the Great War: ‘My Name is Revenge deserves to be noticed by those concerned with honesty in history. Ms Kalagian Blunt’s story is a fine example of why history matters and why we should be pushed to reconsider assumptions about how history was and how it might be understood.’
If you’re in Sydney, you’re very welcome to join me for the launch: RSVP via Eventbrite.
If you’re not in Sydney, I’ll have links up to pre-order the book very soon. In the meantime, here is my favourite vegan soup recipe. I’m not even vegan, but seriously, this creamery goodness is the soup to end all soups.
I’m excited to share that my manuscript, Full of Donkey: Travels in Armenia, has been shortlisted for the Impress Prize for New Writers, in the UK. If it wins, Impress Books will publish Donkey!
I began writing Full of Donkey in 2010, when I received a Winnipeg Arts Council grant to fund a research trip to St Catharines, Ontario. There, I interviewed my father’s family and other members of the Armenian community. I was deeply curious about how my great grandparents’ survival of the Armenian genocide of WWI had affected their lives, our family, and my cultural identity.
I continued to research the Armenian community here in Sydney. Then, I travelled to Armenia, where I spent two months interviewing pretty much everyone who would talk to me, with the help of many Armenians, as well as American Peace Corps volunteers. The project received a Varuna PIP Fellowship, which meant I was lucky enough to spend a week at the wonderful National Writers’ House in the Blue Mountains. The manuscript was also shortlisted for the Kill Your Darlings Unpublished Manuscript Award in 2017.
You can read an adapted excerpt from Full of Donkey published by Griffith Review and accompanied by my photos.
In July, the shortlist for the Carmel Bird Digital Literary Award was announced, and included my other Armenian project, A Flicker of Justice, No More. Set in Sydney in the early 1980s, this novella explores the consequences of the ongoing denial of the genocide. It’s also my first work of crime fiction, a genre I’ve always loved.
Writing about the genocide has been an important part of my life for nearly a decade now. I hope both Full of Donkey and A Flicker of Justice will come to full fruition soon so I can share them with you.
I’m in The Moth GrandSLAM this August – and here’s the story that got me there. It’s probably the greatest love story of all time (and my friends’ favourite story about me, ask any of them), so no wonder it won The Sydney Moth StorySLAM in April 2016.
This was the start of the now classic genre, a story in which I almost die, featuring my husband in the role of himself. This one takes place during my travels through Armenia.
The Moth is a live storytelling event that began in New York in 1997 and now takes place internationally. The theme was kin (the caption says jokers, but the caption is wrong).
A few things I particularly like about this video are how it feels like the camera is pushed flat up against my face, at what is definitely my most flattering angle. Also, that I’m sporting my trademark hairstyle, the clump. It’s gonna catch on, trust me.