Serial killers, zombies, cults and genocide: ten podcasts to love

It’s been a year since I was diagnosed with post-infective fatigue syndrome, and about two years since the symptoms first began. In that time, I’ve spent a lot of hours on the couch/in bed, feeling frustrated and trying to remind myself that resting is recovering.

Before I was diagnosed, I watched a lot of TV. I’ve watched more TV in the last two years than in the entire previous decade. TV seemed like the thing to do when I was too tired to read. However, my doctors told me TV can be very mentally draining.

To allow myself to actually rest while I’m resting, the doctors recommended I listen to audiobooks or podcasts, an activity I can do with my eyes closed. As a result, I’ve listened to a lot of podcasts this year. Sometimes I listen to an entire series in a day.

One upside of being ill is that I’ve had the opportunity to lean into things I find wildly exciting, including serial killers, zombies, cults and genocide. You know, the usual topics ladies enjoy.

Out of all the podcasts I’ve listened to this year, here are ten I highly recommend:

  1. The Great Crime
    I’ve studied the Armenian genocide for nearly a decade, but I’m still learning a lot of interesting details from this podcast narrating the genocide’s history. It’s well delivered, and exactly as its website promises: “open and accessible to everyone, whether you’re familiar with the subject or totally unaware of this often forgotten, misunderstood, and fundamentally tragic saga.” Also, turns out it’s from New Zealand.
  2. Uncover: Escaping Nxivm
    “NXIVM calls itself a humanitarian community. Experts call it a cult.” This investigative podcast from Canada’s CBC is a fascinating look into the group’s leader, Keith Raniere, and a member’s struggle to escape.
  3. Everything is Alive
    Okay, you might not be into genocide and cults, but I dare you not to be utterly delighted by these imaginative interviews with inanimate objects. The host works in interesting true facts about each object. In my standout favourite episode, Ana the Elevator, we learn about architect Frank Lloyd Wright’s plans for a mile-tall skyscraper with nuclear-powered elevators. But the best moment is when Ana sees a video of ‘outside’ and exclaims, ‘Is there no weight limit outside?’
  4. In the Dark
    This crime-focussed investigative podcast has two seasons. The first unravels the disastrous investigation of a boy kidnapped near his home in rural Minnesota, a crime that went unsolved, with no trace of the boy, for 27 years. The second season investigates the circumstances surrounding a Mississippi man tried six times for the same crime over 21 years. He maintains his innocence. Both seasons are fascinating and revelatory.
  5. Happy Face
    The Happy Face serial killer was imprisoned in 1995 after the violent murder of at least eight women. What’s particularly interesting about this retrospective is that it’s narrated by his daughter, who was a teenager when he was arrested.
  6. We’re Alive
    Don’t confuse We’re Alive with the only other fiction podcast on this list, Everything Is Alive. We’re Alive is four seasons of zombie attacks set in Los Angeles and the southwest United States. Season 1 is interesting, the story moves along. Season 2 starts to build on season 1. Then season 3 pulls together all the narrative threads from the first two seasons and takes the story to a new level.
  7. Criminal
    With over 100 episodes, Criminal looks at crime from a wide variety of angles, featuring interviews with culprits, victims and experts. My favourite episodes include:
    #15 He’s Neutral: a man who solves his neighbour’s crime problems with a Buddha statue.
    #51 Money Tree: a woman whose mother stole her identity for credit fraud.
    #85 The Manual: a murder investigation and the manual used by the killer.
    #101 The Fox: the story of two 1970s plane hijackers who met in prison.
  8. Revisionist History
    Malcolm Gladwell is an author and investigative journalist who looks at a wide variety of social and historical issues from surprising and compelling angles. I also recommend all of his books.
  9. Atlanta Monster
    A true crime podcast examining the Atlanta Child Murders: “Nearly 40 years after these horrific crimes, many questions still remain.” The narrator, Payne Lindsey, has another podcast called Up and Vanished. I tried to get into it, but I found both seasons very slow.
    Bonus: Atlanta Monster also has the best theme song of all the podcasts I’ve listened to.
  10. Story Club
    A growing collection of true stories from comedic narrators, recorded live in Sydney.

I’m probably going to spend a significant chunk of the coming year in bed again, so I’m pretty desperate for new recommendations. Please send them my way!

 

Revenge: The first review!

My Name is Revenge fiction by Ashley Kalagian Blunt, writer

The first review of My Name is Revenge has been published, and it’s come from the delightful Fiona Robertson, an Australian short fiction author, currently shortlisted for the 2018 Richell Prize! Fiona has perfectly captured what the novella does and why. You can read her review here. (Obviously it’s positive, otherwise I probably wouldn’t tell you about it. Or maybe I would, who knows.)

You can purchase My Name is Revenge at any ebook retailer, including Booktopia, Amazon and Apple iBooks.

As you finish and catch your breath, you realise you’ve devoured a fascinating narrative and essay, but you’ve also learned about the Armenian Genocide of World War I, in which as many as 1.5 million Armenians were killed by order of the Ottoman Government. … My Name is Revenge is immersive and affecting, written with balance and compassion.

– Fiona Robertson, Australian author

I’ve also received this endorsement from Katerina Cosgrove, who has likewise written about the Armenian genocide:

Ashley Kalagian Blunt delivers what truly potent novellas are capable of: awakening us to new possibilities of thought and feeling. As with Orwell’s Animal Farm and Garner’s The Children’s Bach, this story raises questions that linger and does not give us easy answers. Raw, intense and at times unbearably tender, Kalagian Blunt gives voice to survivors of the Armenian genocide — voices that cry out to be heard in their power and poignancy, their historic hurts and continuing hope for redemption.

Katerina Cosgrove, author of Bone Ash Sky

I’ve added a page to this site where I’ll continue to share reviews and news about the novella. Of course, you’re welcome to leave a review on Amazon or any ebook site as well. Unless you hate it. Then maybe … don’t?

 

A thousand thank yous

This week my thriller novella, My Name is Revenge, was officially announced as a finalist in the Carmel Bird Digital Literary Award and published. The judge described it as ‘a remarkable work informed by a passion to express the haunting of almost unimaginable historical crimes, and the tragic shapes that vengeance for those crimes can take’. You can find it on Booktopia and Amazon.

The novella includes an acknowledgements section thanking the many amazing people who have helped me throughout the years I’ve worked to develop my writing skills. I didn’t feel like this was quite enough thanks however, so I’ve excerpted the acknowledgements section and am presenting it here.

Thank you from Ashley Kalagian Blunt
People I really can’t thank enough
My parents have supported my writing since my first story appeared in Young Saskatchewan Writers, when I was seven. My most heartfelt thanks goes to them. My husband began as my sketch comedy co-writer back in 2003, and has supported me in more ways than even an accountant could track. And way back in 2009, my in-laws gifted me a stack of Armenian history books to get this ball rolling. Each of these people also read drafts of the novella and gave feedback, and I can’t thank them enough.

I owe sincere thanks to many people who have helped me along the way, including the extended Kalagian clan, who generously shared their homes, memories, photos and recipes with me when I first began researching my Armenian heritage in 2010, including Bernice Kalagian, Mary Anne Jablonski and Diane Creamer, Trisha Jones, Richelle and Andrea Leahy, Laura Hoogasian Klimek, Robyn Stewart, Richard Hoogasian, Richard and Judy Kalagian, Carol Kalagian, Nancy Kalagian-Nunn and Dixie Petti. Likewise, an incredible number of people in Australia’s Armenian community have shared their stories with me, including most notably Ani Galoyan and her family. In Armenia, I was welcomed with open arms everywhere I went. To the many Armenians, American Peace Corps volunteers and others in Armenia who offered immense kindness and guided my understanding of Armenian heritage, culture and history – thank you. Thank you as well to the Turkish friends who have graciously spoken with me. So many people have provided kindness, support and guidance, and to each of them I’m forever grateful: the incredible Writing NSW staff, Jane McCredie, Julia Tsalis, Jeanne Kinninmont, Sherry Landow, Cassie Watson, Bridget Lutherborrow, Aurora Scott, Dan Hogan, and our many fabulous interns including Suzi ‘Sirius’ Ferré, Claire Bradshaw, Eliza Auld and Cathy Bouris; my amazingly talented writers’ group, Andrea Tomaz, Andrew Christie, Gabiann Marin, James Watson, Simon Veksner, Jonathon Shannon, Amanda Ortlepp, and especially Michelle Troxler and the generous and talented Jacqui Dent; the publishers and editors who have supported my writing, especially Linda Funnell and Jean Bedford, Julianne Schultz and Jerath Head, Rebecca Starford and Hanna Kent, Kirsten Krauth, Catriona Menzies-Pike, Stephen Romei, Paul Ham, Zoe Norton Lodge and Ben Jenkins; my academic advisors, especially Marcelle Freiman and the Macquarie University English Department, and Jane Park; the utterly inspiring Ren Arcamone; Hanna Kivistö, in whose unmatchable company I first forged a writing practise; Marije Nieuwenhuis, provider of early and incisive feedback; my fellow KSP writing fellows, Christine Scuderi and Nicole Hodgson; Fran Giudici, the best fan any writer could ask for; Lindsey Wiebe, for her unflagging support and steadying friendship; Kerry and Janet McLuhan; Helena Klanjscek, Carol Neuschul, Fran Jakin, Rachel Ramberran and Sarah Hodges-Kolisnyk; my many incredible teachers and mentors, including Felicity Castagna and Toni ‘The Unpredictable Plotter’ Jordan, who both gave feedback on this novella, Luke Ryan, Claire Scobie, Maxine Beneba Clarke, Mishi Saran, Ethan Gilsdorf, Irene Lemon and Armin Wiebe; the inestimably supportive Walter Mason; and my fellow writers, who are a constant source of inspiration and encouragement, including Lee Kofman, Arna Radovich, Eva Lomski, Robin Riedstra, Sharon Livingston, Rebecca Chaney, LA Larkin, Adele Dumont, James Fry, Inga Simpson, Katherine Howell, Graham Wilson and Wai Chim.

And finally to Spineless Wonders, Bronwyn Mehan, Carmel Bird, State Library Victoria and Tablo, for bringing My Name Is Revenge into the wider world through the inaugural Carmel Bird Digital Literary Award – my immense thanks.

 

The best news yet

Way back in July, I was shortlisted for the Carmel Bird Digital Literary Award. I’m immensely pleased to share that my novella was selected as one of the award finalists and is now an e-book! It has a new title and a snazzy cover.

A thriller set in 1980s Sydney and drawn from true events, including a series of international terrorist attacks, My Name is Revenge is the story of a young man seeking justice.

My Name is Revenge fiction by Ashley Kalagian Blunt, writer
My Name is Revenge is available from Booktopia and Amazon, as well as iBooks and wherever ebooks are sold.

You might like to read it, particularly if you like thrillers, new insights into 20th-century history, or fiction set in Australia. It’s a novella, which means it’s short as. Plus there’s an essay at the end that delves into the story’s historical context. And I heard you saying just the other day how much you love essays!

You might like to tell your friends about it, since word of mouth is still one of the main ways people find out about new books. You could send them the link right now.

If you read it, you might like to leave a review on Booktopia or Amazon, since the number of reviews a book receives is a key factor in its success on these platforms, thanks to the magic of algorithms. Plus you’d totally be my hero.

 

Even gooder news

I’m excited to share that my manuscript, Full of Donkey: Travels in Armenia, has been shortlisted for the Impress Prize for New Writers, in the UK. If it wins, Impress Books will publish Donkey!

Impress Prize for New Writers 2018 shortlist Ashley Kalagian Blunt

I began writing Full of Donkey in 2010, when I received a Winnipeg Arts Council grant to fund a research trip to St Catharines, Ontario. There, I interviewed my father’s family and other members of the Armenian community. I was deeply curious about how my great grandparents’ survival of the Armenian genocide of WWI had affected their lives, our family, and my cultural identity.

I continued to research the Armenian community here in Sydney. Then, I travelled to Armenia, where I spent two months interviewing pretty much everyone who would talk to me, with the help of many Armenians, as well as American Peace Corps volunteers. The project received a Varuna PIP Fellowship, which meant I was lucky enough to spend a week at the wonderful National Writers’ House in the Blue Mountains. The manuscript was also shortlisted for the Kill Your Darlings Unpublished Manuscript Award in 2017.

You can read an adapted excerpt from Full of Donkey published by Griffith Review and accompanied by my photos.Armenian genocide family memoir Ashley Kalagian Blunt

In July, the shortlist for the Carmel Bird Digital Literary Award was announced, and included my other Armenian project, A Flicker of Justice, No More. Set in Sydney in the early 1980s, this novella explores the consequences of the ongoing denial of the genocide. It’s also my first work of crime fiction, a genre I’ve always loved.

Writing about the genocide has been an important part of my life for nearly a decade now. I hope both Full of Donkey and A Flicker of Justice will come to full fruition soon so I can share them with you.

 

Brain worms: A Love Story

I’m in The Moth GrandSLAM this August – and here’s the story that got me there. It’s probably the greatest love story of all time (and my friends’ favourite story about me, ask any of them), so no wonder it won The Sydney Moth StorySLAM in April 2016.

This was the start of the now classic genre, a story in which I almost die, featuring my husband in the role of himself. This one takes place during my travels through Armenia.

The Moth is a live storytelling event that began in New York in 1997 and now takes place internationally. The theme was kin (the caption says jokers, but the caption is wrong).

A few things I particularly like about this video are how it feels like the camera is pushed flat up against my face, at what is definitely my most flattering angle. Also, that I’m sporting my trademark hairstyle, the clump. It’s gonna catch on, trust me.