From final draft to publication to audiobook

In 2017, I found myself with a 12,000-word novella. It was best piece of fiction I’d ever written, and possibly my best piece of writing full stop, and it sat on my hard drive, dreaming of readers.

I hadn’t intended to write a novella; my master’s degree program had dictated the word length. But writing it had turned out to be very useful. It allowed me to more easily develop novel-writing skills on a shorter project. I was able to go from idea to final draft in 18 months, with heaps of feedback and revision, something I never could have found time for if I’d been working on a manuscript of 80,000 words.

But novellas are tricky creatures. Publication call-outs and competitions for novellas exist, but there are far fewer than for short stories or full-length manuscripts.

This is why I was excited to discover the Carmel Bird Digital Literary Award, which accepted up to 30,000 words. It also suggested including an essay reflecting on the writing process. This excited me further, because I had a lot to say about my writing process. The novella had come out of years of research into the Armenian genocide, including interviews with 140 people on three continents, and two masters’ theses. In fact, I’d enrolled in a creative writing master’s program because I had the idea to write from the point of view of a terrorist connected to that history — and the idea terrified me.

Before entering the CBDLA, I read the examples suggested, My Hearts Are Your Hearts by Carmel Bird and Cracking the Spine: Ten short Australian stories and how they were written, both published by Spineless Wonders. Using these as a guide, I wrote my reflective essay, combined it with the novella, and sent it in.

In 2018, I was delighted to be one of 11 longlisted entries, and very surprised to learn I was one of three finalists. The prize included digital publication and $1000. The ebook of My Name Is Revenge was out by the end of the year.

When Bronwyn Mehan, the powerhouse behind Spineless Wonders, approached me about a print version, I said yes immediately. I’d been studying writing and revising drafts and racking up rejections for nearly a decade by this time, working toward the goal of having a published book. Technically I’d achieved that, but the book wasn’t yet a thing I could hold or sign or gift to my grandmother.

‘One thing,’ Bronwyn said. ‘At 17,000 words, it’s not long enough to have a spine.’

So we added in two additional companion pieces, essays previously published by Griffith Review and Sydney Review of Books. This brought the collection up to 25,000 words. We also included photographs from my time in Armenia.

My Name Is Revenge book cover printed on chocolate cake

The idea of the thriller novella was to hook readers with a gripping story, set in Sydney and based on the real-life assassination of the Turkish consul-general and his bodyguard. The assassination took place in 1980 and remains unsolved. When readers finish the story, the essays and photos provide the historical context for its events, a history that has been suppressed due to the ongoing denial of the Armenian genocide.

We launched My Name Is Revenge in June 2019, with author Emily Maguire giving the launch speech. It was one of the happiest events of my life.

With the book out in the world, I organised bookshop visits and library talks. I pitched myself to festivals and podcasts. This helped when, later in the year, I had a full-length manuscript under consideration with Affirm Press, which became my second book.

Author speaks to crowd at My Name Is Revenge book launch

I thought that might be the end of the story for Revenge, but Bronwyn is full of great ideas. There was a voice actor named Felix Johnson, she told me, who would be perfect to narrate Revenge as an audiobook. This delighted me; I love audiobooks.

I worked with sound engineer Jeff Zhang to record the essays, and Felix worked with Jeff and Eleni Schumacher to record the novella, with Bronwyn coordinating everything, working around covid restrictions. It was rewarding to have the opportunity to narrate my work — and also exhausting! I’d never guessed reading out loud could be so tiring. It gave me new respect for audiobook narrators, especially those who bring characters to life the way Felix does.

My Name Is Revenge is now available as an audiobook worldwide, and also in print-on-demand and ebook formats. It’s so much more than I could have hoped for when I wrote that 12,000-word novella, and I credit my success in the CBDLA with launching my writing career.

My Name Is Revenge audiobook Ashley Kalagian Blunt

Listen to My Name Is Revenge on
Audible | Amazon | Kobo | Google Play | Scribd

The 2021 Carmel Bird Digital Literary Award is open for entries until 7 February.

The latest in my Revenge plot

If the police ever had a search warrant to seize my computer, I imagine they’d be very excited when they opened it up. How often do suspected criminals have folders all over their desktop labelled REVENGE?

But they’d be disappointed when they opened the files and discovered I’m not actually plotting revenge against anyone. At least not yet. (If I were, I’d label those files VEGAN SOUP RECIPES. The police will never find them.)

Kalagian Blunt - My Name Is Revenge cover image smallWhat the police would find in my files is the fabulous cover of My Name Is Revenge, which is being released in print by Spineless Wonders this April.

The cover features Mt Ararat in the background, a national symbol of Armenia. In the foreground are gum leaves and the foliage of the Australian bush, drawing on the connections made within the book, particularly the novella.

The print edition includes two additional essays considering different aspects of the Armenian genocide, as well as a collection of photos from my travels through Armenia.

The ebook, which came out in October, has been receiving great reviews. I was delighted by this review from history professor and author Peter Stanley, co-author of Armenia, Australia and the Great War: ‘My Name is Revenge deserves to be noticed by those concerned with honesty in history. Ms Kalagian Blunt’s story is a fine example of why history matters and why we should be pushed to reconsider assumptions about how history was and how it might be understood.’

If you’re in Sydney, you’re very welcome to join me for the launch: RSVP via Eventbrite.
Book launch of My Name Is Revenge, writing on the Armenian Genocide

If you’re not in Sydney, I’ll have links up to pre-order the book very soon. In the meantime, here is my favourite vegan soup recipe. I’m not even vegan, but seriously, this creamery goodness is the soup to end all soups.

 

Good news, for a change

I know I’ve been whinging about being sick for a while now (and there’s more where that came from!) but I do have some good news.

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My novella, A Flicker of Justice, No More, was shortlisted for the Carmel Bird Digital Literary Award. This means you lucky ducks can read an excerpt on the State Library Victoria Tablo page. This novella is a crime thriller based on true events, including a terrorist attack in Sydney in 1980.

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Also, I’ve had one of my favourite short stories accepted for publication in Verandah issue 33. It’s called ‘Pre-Morbid Status’ and it’s as dark as it sounds! That’ll come out in September, so hold your breath!

Also also, back in 2016 I was the winner at one of The Moth’s StorySLAM events. Which means I’ll be competing in the GrandSLAM at Sydney’s Metro Theatre on Tuesday 7 August. This will probably be your only chance to see me perform live this year (and I know you’ve been lying awake in bed at night, wringing your hands, sweating about when you’ll be able to see me on stage again).

The Moth is a competitive storytelling event that takes place around the world, and you better believe I’m sticking to my oeuvre: a story that involves me almost dying, and also my husband in the role of himself.

Is it a good idea to perform while I’m sick? No, probably not. Am I going to do it anyway? Yes. Yes I am. I personally will only be on stage for five minutes and IT WILL GIVE ME A REASON TO LIVE. At least until 7 August. After that, all bets are off.